When Ansel Adams started making films, he made movies about people who were in the grips of a terminal illness.
In some cases, the films were filled with images of loved ones who had died.
But for the most part, they were not very good.
“People were dying in my films, so I knew that I had to be able to make a movie that could be told through a character’s eyes,” Adams told NPR in 2015.
“That’s the only way I could think of.”
He eventually created an entirely new kind of film, one that he thought would not only tell the story of people dying, but also reflect the experience of living in the middle of a pandemic.
“I wanted to make something that I thought could be made in a lot of ways that didn’t involve people having to go to their doctor and being told what they were supposed to do,” he said.
He made an all-new format for his film, called Ansel: The Narrative of an Illness.
“The film has no dialogue, no set design,” Adads said.
Instead, the story unfolds through a series of events that occur in his head, and he plays out those events in the form of a film.
“Ansel is a very direct filmmaker.
He doesn’t try to mimic what someone else is doing,” Adkins said.
“There are no props, no costumes, and no special effects.
It’s a very, very, straightforward film.”
But it was still an incredibly difficult project to make, and it was also one that Adams was very wary of.
“If I make something wrong, I can have it become my worst nightmare,” he told NPR.
“So I made it very clear that this is something that can’t be made any other way.”
Adams said he would not be able in any way to avoid making mistakes, but he was also very mindful of the fact that the final product would have to be a work of art.
“What you see is what you get,” he added.
“And so, I’m very careful about the way I’m going to put it together, and how I’m gonna convey the emotion of what I’m trying to say.”
But he was able to do it, and Ansel was released in 2017, earning Adams the honor of being one of the best-reviewed films of the year.
“This is a wonderful film,” he concluded, “and I really hope people enjoy it.”
A look back at Ansel’s career Ansel made his name with two feature films, In the Mood for Love and An American Soldier.
The latter was directed by George A. Romero, and starred Tom Cruise, Will Smith, and Kristen Wiig.
Ansel would go on to make films like American Pie, which won the Academy Award for Best Picture and starred Will Ferrell, and The Curious Case of Benjamin Button, which was also nominated for Best Film and received a nomination for Best Actor.
“It was very hard for me to work with George Romero because I really felt that it was a really dark film, and a very dark film that didn.t quite work,” Adars said of Ansel.
“But I’m happy with it because it was very, like, really, dark.
You know, I was like, ‘How can you have a movie about the middle class that’s really dark and very American and very dark?’ “
Also, it had to have a very particular look.
You know, I was like, ‘How can you have a movie about the middle class that’s really dark and very American and very dark?’
I was not a big fan of that style of filmmaking, I thought that was boring.
So I thought I’d do both films in one film, so it was the perfect thing to do.” “
In the Mood For Love, I think that George had a very strong idea, and in my mind, I didn.m thinking, ‘Oh, well, I’ll do a film about people like me, and I’ll just do this movie about this American character, and then we’ll do the other stuff.’
So I thought I’d do both films in one film, so it was the perfect thing to do.”
After Ansel had finished his first film, the American Soldier, he released another, In The Mood for Trouble, which had a darker tone.
“George said, ‘If you make this film, you have to do something about people dying,’ and I was just like, what the hell, George?” he recalled.
“He said, you know, ‘This is the film I want to make.
I want you to be the person who gets to live this journey.
I don’t want to be just a star in a movie.'”
Ansel went on to direct the first two films of his critically acclaimed trilogy, The Secret Life of Pets and The Secret History of Cats, as well as a number of feature films.
He then directed a number, including The